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  • Photo of kasprzak

    Pick 'N Mix - October 2008

    other tool to make a permanent archive for yourself. ...and now, onto this month's Pick 'N Mix items: - I recently contributed an essay, "For What and For Whom?" to the CUREDITING issue of online journal Vague Terrain, which was guest edited by CONT3XT.NET. The theme of the issue aims to create "... a "screenshot" of actual tendencies within curatorial and editorial models: artistic creation and the processes of its re-formulation within different presentational contexts are brought together under the

  • Photo of kasprzak

    For What and For Whom?

    http://www.kemperart.org/exhibits/UinCurator.asp (4) Clay Shirky’s Here Comes Everybody: http://www.shirky.com/herecomeseverybody -- This essay was included in the latest issue of Vague Terrain, guest edited by the fine folks at CONT3XT.NET.

  • Author unknown

    CUREDITING

    in the early 1920ies. Relating the so-called original and its translation by using the metaphor of a tangent which touches the circle in one single point only to follow thereafter its own way, the goal of the present project by CONT3XT.NET - kindly hosted and co-curated by the online journal Vague Terrain - is to access what can be understood as translational work within the context of Internet-based Art and its curation. Artistic creation and the processes of its re-formulation within

  • Author unknown

    CUREDITING

    in the early 1920ies. Relating the so-called original and its translation by using the metaphor of a tangent which touches the circle in one single point only to follow thereafter its own way, the goal of the present project by CONT3XT.NET

  • Photo of serialconsign

    Vague Terrain 11: Curediting

    Custom made computer infected with the virus Biennale / 2001-2004] A new issue of Vague Terrain has launched and I'm quite excited to help spread the word about this provocative body of work. Vague Terrain 11: Curediting-Translational Online Work is a CONT3XT.NET organized survey of contemporary thinking about new media art, online curation and broader web culture. The issue includes work from: Joasia Krysa, Laboratorio 060 (Lourdes Morales, Javier Toscano, Daniela Wolf),

  • Photo of serialconsign

    Vague Terrain 11: Curediting

    social networking and crowdsourced curation as well as questioning the presentation of net art in a number of contexts, within both web-based and traditional spaces of exhibition. Vague Terrain 11: Curediting was guest curated by the Vienna-based CONT3XT.NET collective and includes work from: Joasia Krysa, Laboratorio 060 (Lourdes Morales, Javier Toscano, Daniela Wolf), Annette Finnsdottir, Eva Moraga, CRUMB (Beryl Graham and Verina Gfader), Greg. J. Smith

  • Photo of kasprzak

    For What and For Whom?

    CONT3XT.NET. There’s ample information about the issue below. Though I haven’t finished reading each of the essays I am already impressed with the issues being tackled and the interesting perspectives being presented. I imagine that I

  • Photo of fratha

    _____fratha__

    23 days ago by fratha · Authority: 4

    PROJECTS CONT3XT.NET CURATING MEDIA/NET/ART PUBLICCURATING RE:MAGAZINE RICH.TXT TAGALLERY WURSTMASCHINE YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME.

  • Photo of fratha

    CUREDITING—TRANSLATIONAL ONLINE WORK

    23 days ago in _____fratha__ by fratha · Authority: 4

    http://www.arnolfini.org.uk (24) http://jodi.org (25) http://webcra.sh/2800 (26) http://www.domenicoquaranta.net - Hosted by: Vague Terrain #11 - Digital Art / Culture / Technology Curated by: CONT3XT.NET (Hochrieser, Kargl, Thalmair) Contributions by: Joasia Krysa, Laboratorio 060 (Lourdes Morales, Javier Toscano, Daniela Wolf), Annette Finnsdottir, Eva Moraga, CRUMB (Beryl Graham and Verina Gfader), Greg. J. Smith

  • Author unknown

    Tagallery abierta

    44 days ago in alma matinal · Authority: 27

    cont3xt lanzó en el 2007 en del.icio.us., la curaduría colaborativa de una exposición basada en el tagueo, ahora abrió su espacio a la participación pública hasta el 15 de septiembre .

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